From artwork to approved sample in 15 days: the actual timeline

What the fifteen days from artwork to approved sample are made of, why the re-sample is the number that decides your container date, and what to send on day zero so the clock starts immediately.

Sample timelines are where private-label projects quietly lose their season. Here is what the fifteen days from artwork to approved sample are actually made of, which steps run in parallel, and why the re-sample — not the first sample — is the number that decides whether the container ships on time.

The five stages, and what each one costs in days

A sample is not one event but a chain of five. Day zero to two: artwork receipt and technical review — we check the logo against the mark area of the actual size, not a scaled PDF, and confirm the branding method. Day two to four: material preparation, which is fast when the article uses an existing pressing mould and slow when a new size is involved. Day four to seven: making the physical sample, including laser engraving or printing trials. Day seven to ten: quality checks against the specification — dimensions, finish, the fit of any lid or pouch. Day ten to twelve: photography and dispatch documentation. The remaining days belong to the courier.

That sequence compresses to roughly fifteen working days when nothing reworks, and the two inputs that buyers control are the ones that most often break it: artwork that arrives in a non-vector format, and silence on which size the sample should be taken from. Both are avoidable with the checklist we publish alongside our OEM page.

Why the first sample rarely gets approved

The first sample does its job even when it fails. It moves the discussion from renderings to a physical object, and it exposes the decisions nobody made on paper: the depth of an engraving on a carbonised board, the weight of a travel pouch, whether a lid sits flush. In our experience the approval rate on first samples for branded work is modest — not because factories are careless, but because a brand book written for print does not anticipate how a laser reads on bamboo grain. Plan the budget and the calendar around two rounds: sample one finds the disagreements, sample two confirms them solved.

The caveat. Fifteen days is our working target for existing shapes with clean vector artwork. A new size with its own mould, a special finish, or a peak-season production calendar can double the material-preparation stage. We confirm the realistic date against the order book before taking the deposit — the number in the quotation, not the number in this article, is the commitment.

What to send so the clock starts on day zero

Four files and one decision start the work immediately: vector artwork with the minimum line weight stated, the target size and finish, the packing format for the sample, and the delivery address with a working courier account. The decision is who approves the sample — one named person, not a committee, because approval by circulation is the quietest schedule killer in custom manufacturing. Buyers who nominate a single approver routinely close the loop in one round; buyers who circulate photographs across time zones do not.

  • Vector file (AI, EPS or PDF) with the mark converted to curves and the smallest line weight stated in millimetres.
  • Target article, size and finish — a sample of the wrong size tests nothing.
  • Packing format: bulk, kraft sleeve or printed box, since printing trials differ from engraving trials.
  • Named approver and the acceptance criteria they will apply, ideally lifted from the quotation.

From approved sample to first container

An approved sample is a specification, not a comfort object. It freezes the construction, the finish and the branding reference that bulk production must reproduce, and it becomes the arbitration reference if a pre-shipment inspection disputes anything. That is also why we ask buyers to sign and date one sample and keep one — two sealed references, one on each side of the ocean, end most quality conversations before they start. Bulk lead time then runs from deposit and artwork freeze, and the sample stage delays the container day for day if it drifts.

Sampling discipline also feeds the inspection plan. Batch acceptance for the production run follows lot-by-lot sampling under ISO 2859-1, and the sample in your hand is what the AQL plan is checking against. Factories that operate a documented quality-management system to ISO 9001 will treat the sealed sample as a controlled document; if a supplier cannot tell you where their master sample lives, the process around it probably lives nowhere either.

If your programme has a fixed launch date, work backwards from the transit time and add one re-sample round deliberately. It costs a few days and buys the calendar back; skipping it stakes the whole launch on a first draft being perfect. Send the artwork and the size split and we will return a dated sample plan with the formal quotation.

What to check the sample against

An approved sample is only as good as the criteria applied to it. For cutting boards, check the flatness on a known-flat surface, the seam lines at both edges, and the depth and legibility of the engraving under kitchen light, not workshop light. For travel cutlery sets, work the pouch closure twenty times and weigh the set — pouch fit and finished weight are the two things buyers notice first and factories cannot guess. Write the observations down in the same document that will travel with the bulk order, because an approval that lives in an email thread is not an approval; it is a memory. The moment the sample is signed, it becomes the reference the production run is judged against, and the criteria you used to judge it become the specification the pre-shipment inspection applies. That is also the point to confirm the branding route on the OEM page is what the sample actually shows — the mark method, the placement and the packing format — so the quotation, the sample and the container say the same thing.

Frequently asked

Is the sample charge refunded?

The sample is charged at unit cost plus courier, and the charge is credited against the bulk order when it is placed. You pay for the object, not for the privilege of testing it.

Can you ship samples of several sizes together?

Yes, and we recommend it: comparing sizes side by side settles mark-area and proportion questions that photographs flatten. Courier cost rises, calendar cost does not.

Why did my sample come back lighter than the catalogue weight?

Finished weight varies with moisture content and finishing oil. If weight matters to your spec, ask for it to be measured on the sample and stated in the specification — that is the number bulk production is held to, not the catalogue figure.

Do you sign an NDA before sampling?

Yes, before artwork changes hands. Design files and buyer-specific tooling stay within the buyer’s programme.

Timeline figures describe our own working practice and are confirmed per order in the quotation; they are not industry averages. Quality-system references are to publicly available standards — verify applicability with your own inspection partner.

Sources

  1. ISO 2859-1:2026 – Sampling procedures for inspection by attributes (AQL) — ISO
  2. ISO 9001:2015 – Quality management systems — ISO
  3. ISTA – International Safe Transit Association, transit test procedures — ISTA

Every figure above is traceable to these sources; where they disagree, both positions are stated. Values specific to our own products (carton size, 20GP loading, NCM, certificates) remain pending factory confirmation and are not presented as measured data. Regulatory summaries are a buyer’s working reference, not legal advice — confirm with your broker before you file.

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